Jazz and Armenia have a complicated history. From its early beginnings under Soviet rule to contemporary interpretations of jazz, the genre is part of the fabric of Armenian cultural life.
The essay attempts to offer several historical and pedagogical responses to the genocide of the Armenian people by suggesting a program on the study of the Middle Ages of Turkey, one that would entail the study of the three mediaeval epic tales that were forged during the Middle Ages on Anatolian soil.
Tatevik Hayrapetyan writes that the Karabakh Movement was a catalyst for domestic developments in Azerbaijan. Unlike in Armenia, however, alternative forces like the Azerbaijani Popular Front in Azerbaijan, couldn’t find a way to collaborate with the local Communist Party. The issue of Karabakh and anti-Armenian propaganda was thereby used in their struggle against the Communist regime.
Deciding never to use the word Genocide and then coming face-to-face with it again in a new context; between reading biographies of the victims of the Sumgait Pogrom over and over again and the urge to see who now occupies the homes of the Armenians of Baku and Sumgait, writer Lusine Hovhannesyan unexpectedly discovers a common yet obvious thread.
In the last 100 years, there have been hierarchies of identity and canonical approaches to definitions of "Armenian," especially as articulated, rationalized and promoted by elites, institutions and political parties in the Diaspora and in Armenia. This essay is not a study of identity per se, but about one of the aspects of identity – the “Armenian” bit of it.
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
