Ethiopian-Armenians: Ancient Allies and Imperial Confidants
Ethiopian-Armenians are emblematic as a diaspora community that balanced their civic and cultural identities to build a prosperous and trusted community.
Ethiopian-Armenians are emblematic as a diaspora community that balanced their civic and cultural identities to build a prosperous and trusted community.
Այս տարածքում հավաքվելու համար նախապայմաններ չկան, բացի մեկից՝ վերաբերվիր սեփական տանդ պես։ Վահան Ստեփանյանը պատմում է ինչ է Ռամբալկոշեն, նրա հիմնադրման և մշակութային գործունեության մասին։
Despite the many challenges, old and new artists in Armenia’s underground music scene continue paving the way for the future of local regional music. And you can also find out what fruit they associate their music with.
The “Top Ten of Rabiz” was a series of albums produced by a group of young men trying to reproduce the scattered reality of the 1990s through the language of music and an experimental format that was never really “rabiz.”
The majority of the music we hear in contemporary Armenian films and TV-series are simply plucked from the Internet with little regard for copyright issues, professionalism or the suitability of the tracks.
Artists have been facing a real problem in Armenia: not getting fairly compensated for the music they release. In an age when sales of physical disk copies have drastically declined, with concerts and tours put on hold because of a pandemic, how are musicians supposed to get by?
When a State of Emergency was declared on March 16 in Armenia, cultural institutions mobilized their resources and opened their treasuries digitally showcasing the gems of Armenian culture.
The resort town of Dilijan in Armenia is known for its lush mountainous landscapes. It is also home to the Composers’ Union Resort, a place that hosted world famous composers in the 1960s and became a cultural hub in the former Soviet Union.
A special podcast series featuring ordinary people walking through the streets of Armenia’s capital city Yerevan. This week’s host is Arthur Ispirian, a musician and Director of Archives of Armenia’s Public Radio. Ispirian walks through the neighborhoods of his childhood, reminiscing and singing along the way.
In the face of war and turmoil, music has remained one of Artsakh’s most cherished aspects of their culture. Tradition and new influences are what keep the music alive.
Hasmik Movsisian had the idea to create an online space that would bring together Armenian musicians and musicians who perform Armenian music or play traditional Armenian instruments. However, the initiative soon grew out of its original concept and now Music of Armenia has gone from organizing festivals, to becoming a production company to joining UNESCO’s International Music Council.
The young girl, who was almost “killed” by the stunning music of Komitas Vardapet on a beautiful spring day in Tbilisi, was Margarit Babayan, a 28-year-old mezzo-soprano, who later would become a renowned singer and a vocal teacher across Europe, and be remembered as the beloved friend and muse of Komitas Vardapet.
Artistic Director of the Hover State Chamber Choir and first woman Rector of the Yerevan State Conservatory, Sona Hovhannisyan is a trailblazer who lives, exists and creates between sweeping times of change and transformation.
What happens when we search Armenian artists from the 20th century on the Internet? If we’re lucky, we might find a video or two and bits of information. It’s not because Armenia doesn’t have its legacy in folk music, jazz or classical music but because the tunes have been locked away in archives, something that is about to change.
There is art underground. It is beautiful and that is probably why it is hidden. Meet Armenia's underground musicians through EVN Youth Report's series.
Anushik, often called the Girl Orchestra, is “Dhol royalty.” Her mother, Lilit, was known as the “Queen of Dhol.” A story about how music knows no gender.
The stages of the underground are hidden but colorful. The bohemian of the underground creates its own, paints it in colors and like a mad person does not deviate from its unconventional path.
Martin Yeritsyan is Armenia's oldest violin maker. He learned his craft from his father, Shahen, whose journey from an orphanage in Greece to becoming one of Armenia's greatest luthiers was paved with heartache and loss.
Jag Bambir, one of Armenia’s most beloved musicians, is an early pioneer of the rock and roll movement in the former Soviet Union. In this piece, Raffi Meneshian reviews a recent concert Jag gave in Gyumri in April where he presented his latest creation – Treaton.
What is New Music and why is it not thriving in Armenia? According to composer and musician Artur Avanesov, New Music is a vibrant conglomerate of ideas and solutions, a vast network of communications, pretty much like a modern metropolis; it pushes boundaries and is a search for new sounds and forms.
In this moving piece, Paul Chaderjian writes about belonging and identity, of hovering in a ‘Go Between’ space, suspended between two worlds and how unexpected encounters make connecting to the concept of home a reality.
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
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