How a tightly rolled bundle of negatives taken by Hamo Kharatyan in the 1930s slowly began to reveal astonishing, quite unfamiliar aspects of Vanadzor's life that were already on the verge of disappearing.
Psychologist Arthur Tonoyan spent the 2020 Artsakh War on the frontlines, providing care in every way possible. His story, told in his own words, is retold through the images of photojournalist Vaghinak Ghazaryan.
The first Armenian-owned photo studios in Constantinople and Tbilisi at the end of the 1850s not only immortalized people’s lives, they were an effective shortcut to modernity and a powerful symbol of cultural emancipation.
Այս տարածքում հավաքվելու համար նախապայմաններ չկան, բացի մեկից՝ վերաբերվիր սեփական տանդ պես։ Վահան Ստեփանյանը պատմում է ինչ է Ռամբալկոշեն, նրա հիմնադրման և մշակութային գործունեության մասին։
The ongoing war in Artsakh has profoundly impacted the Armenian world. Photojournalist Eric Grigorian's photo essay reflects on those who have had to bear the heavy human toll in protecting and safeguarding the homeland. Images are from Artsakh, Goris and Yerevan, taken between October 24 and November 5, 2020.
Photojournalist Eric Grigorian captures the devastation of war, its destruction of lives, heritage sites and schools. A portrait of a nation at war, of a capital where the elderly and the grieving live underground.
Curator and art historian Vigen Galstyan pays tribute to one of Armenia’s most accomplished artists, photographer Herman Avakian, who passed away suddenly on Sunday. With his uncompromising devotion to the truth and artistry, Avakian helped shape the fabric of Armenian society.
A family dispute left Emma Sahakyan homeless. After failing to find justice, she has staged a protest in front of the President’s office on Baghramyan Avenue for the past seven years.
In the second part of photographer Davit Nersisyan's larger body of work about the visually impaired in Armenia, Nersisyan explores the most intimate physical spaces of the visually impaired - their own rooms - by asking the person who inhabits the space but does not see it to map it.
Photojournalist Eric Grigorian's series of portraits from Republic Square where thousands gathered in protest as Yerevan enters the seventh day of mass rallies, protests and innumerable acts of civil disobedience.
A perceived absence of agency has led to growing public indifference in Armenia. When those who do take a stand, regardless of their tactics, are left to stand alone, more questions than answers surface. From the recent sentencing of radical opposition activists, to sit-ins and hunger strikes Opera Square to continuing impunity, everyone seems to be forgetting to ask, why?
Choir in the Dark is the first chapter of photographer Davit Nersisyan’s ongoing, larger body of work about the visually impaired in Armenia. A visual exploration of the persistence of a choir where most members are visually impaired.
Atoussa S. explores the history of women writing and their absence in the literary canon. In this essay for EVN Report, she seeks answers to the questions: What circumstances make women writing/literature possible? What do women own in their writing? What is the meaning of this ownership?
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
