From Berlin’s well-funded, immersive art scene to Yerevan’s under-resourced yet vibrant efforts, this instalment of “Artinerary” not only presents a calendar of cultural events coming up, but imagines what could emerge if Armenia’s artistic potential were fully supported and politically prioritized.

As AI reshapes creativity and replaces human labor, much contemporary art feels stagnant—recycled, safe and system-bound. A revival, if it comes, will rise from urgent, crisis-driven contexts like Armenia, where meaning still demands to be made. In this edition of ARTINERARY, Vigen Galstyan spotlights exhibitions where artists confront technology, identity, and post-war trauma in works pulsing with transformative promise.

There is clearly something momentous in the air, and I don't mean the aroma of budding apricot trees, the unusual sight of Georgian soccer fans in Yerevan, yet another nasty virus wave, or the municipality's self-righteous campaign of tree annihilation. No, the explosive atmosphere stems from the looming, yet still unlikely “peace deal” with Azerbaijan, whose vague details alternatively suggest a potential new era of stability, or a horrific epilogue to a five-year chronicle of aggression and collective humiliation. Does the art scene reflect this sense of running on the knife's edge?

After a whirlwind year of cultural events in 2024, Armenia enters 2025 with renewed momentum. This edition of ARTINERARY, curated by Vigen Galstyan, highlights the first major exhibitions, festivals and concerts of the year, along with must-see December shows still on view.

As the world grapples with relentless upheaval and a growing sense of despair, the relevance of art has never been more urgent for even amidst destruction, art can illuminate pathways to renewal. By stepping outside the confines of our panic-ridden newsfeeds, we open ourselves to the transformative potential of creative expression. Art can help us confront the chaos while offering a vital escape—a momentary reprieve to reimagine what the future could hold.

How "sacred" can culture get before it ossifies into an irrelevant artifact and at what point do our interventions with the relics of the past turn from living culture into an act of sacrilege? The only way to answer this question is to be open to and actively engaged with what the artists and art workers are doing at the moment. And right now, in Armenia, they are doing a hell of a lot worth thinking about.

The wounds from the horrific 44 Day War and Artsakh's ethnic cleansing by Azerbaijan are still raw. But one thing is clear: to break the vicious cycle eroding our foundations for over a century, we must embrace a path of collective reflection, healing and renewal. Could art—contemporary and historical—possibly show us the way?

There is nothing like thoughts of war to make one appreciate the extraordinary privilege of getting out on a sunny October weekend and being presented with an infinite array of cultural events in a bustling town like Yerevan. If the past few years have taught us anything, it is not to take these vital pleasures for granted. Tomorrow we may easily be denied that opportunity.

Have you had your "I look so exalted" selfie with Anahit's head yet? No? Well, there is still plenty of time. And despite its lack of world-famous masterpieces, our local institutions and art spaces will continue to strive for more Instagram-worthy backdrops. However, there might also be the occasional show, or a lecture that may provoke you to momentarily forget your phone.

Blockbuster exhibitions are not a common sight in Armenia, where museums are yet to shake off the Soviet-era frame as "fort-keeps" or "temples" of national culture. However, the next two weeks on the ARTINERARY digest juxtapose the “traditional” with the “wildly provocative,” the “surreal” and also the “experimental” on Armenia’s art scene.