With a spotlight on Sean Baker’s film "Anora" that won the top prize at the Cannes Film Festival this year, Sona Karapoghosyan examines how evolving yet often reductive depictions in American cinema shape perceptions and cultural narratives about Armenians.
The wounds from the horrific 44 Day War and Artsakh's ethnic cleansing by Azerbaijan are still raw. But one thing is clear: to break the vicious cycle eroding our foundations for over a century, we must embrace a path of collective reflection, healing and renewal. Could art—contemporary and historical—possibly show us the way?
There is nothing like thoughts of war to make one appreciate the extraordinary privilege of getting out on a sunny October weekend and being presented with an infinite array of cultural events in a bustling town like Yerevan. If the past few years have taught us anything, it is not to take these vital pleasures for granted. Tomorrow we may easily be denied that opportunity.
Have you had your "I look so exalted" selfie with Anahit's head yet? No? Well, there is still plenty of time. And despite its lack of world-famous masterpieces, our local institutions and art spaces will continue to strive for more Instagram-worthy backdrops. However, there might also be the occasional show, or a lecture that may provoke you to momentarily forget your phone.
Blockbuster exhibitions are not a common sight in Armenia, where museums are yet to shake off the Soviet-era frame as "fort-keeps" or "temples" of national culture. However, the next two weeks on the ARTINERARY digest juxtapose the “traditional” with the “wildly provocative,” the “surreal” and also the “experimental” on Armenia’s art scene.
Blending the two worlds of theater and cinema, Atom Egoyan’s new film “Seven Veils”—named for the biblical character Salome whose seductive dancing earns her the severed head of John the Baptist—portrays Salome not as a cruel femme fatale but as a victim.
Each season has its "black holes" and the end of August is notorious for its atmosphere of melancholic ennui as we reluctantly bid goodbye to long summer days, holidays and sweaty armpits. However, this is just a minor breather before Yerevan and the rest of the country gear up for the fall season's cultural whirlwind.
As far as cultural events are concerned, August is generally considered to be the “dead” month of the year. But if you're stuck in Yerevan and the soul does want to escape somewhere else, even for just an hour or so, then some of those events might just prove to be the ticket.
With the Golden Apricot Film Festival behind us, many in Yerevan might have a case of a cultural overdose. But the capital's art pulse shows no sign of slowing down and the next two weeks are absolutely packed with events to either calm or rattle your jaded senses.
In this personal essay, Arthur Aghadjanians reflects on the journey that led to the creation of Carpet Jam, an online platform showcasing Armenian musicians worldwide, promoting contemporary music and providing opportunities for emerging artists.
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
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