Director Nora Martirosyan’s film “Should the Wind Drop” reveals the frustrating situation surrounding the airport as a starting point to delve into the history, problems and spirit of Artsakh.
Although performance art has practically disappeared from the contemporary art scene as an autonomous medium, early practitioners had a profound impact in changing perceptions of the body in Armenia’s post-independence culture.
Hybridizing fine art and mass culture, Soviet-era “chekanka” art generated an unconventional visual world in which ancient and modern mythologies, as well as sexual and political desires could be blended into a patently local cultural narrative.
The “Top Ten of Rabiz” was a series of albums produced by a group of young men trying to reproduce the scattered reality of the 1990s through the language of music and an experimental format that was never really “rabiz.”
The Armenian love for following trends is something that is a part of the collective cultural and political history. And that tendency became stronger after the collapse of the Soviet Union.
“Songs of Solomon” promises to tell the story of young Komitas but ends up disappointing as the direction drastically changes, turning into another tragic film about the Armenian Genocide and Komitas simply a faded symbol emphasizing a lost culture and history.
Literary theorist Tigran Amiryan takes the reader on a journey into the essence of Aram Pachyan's experimental novel "P/F", noting that while it might not appeal to aficionados of fictional prose it will cause an unquenchable thirst for contemplation.
In the past several years, residents of Yerevan have started spending more time in cafes and the outdoors generally. We eat out, take our breaks, work and escape from the cares of our daily lives.
The ongoing crises in Armenia are forcing old ideas about the future to crumble, making way for as yet undefined horizons. In this process, contemporary art tries to intervene to create new spaces for imagining the future.
Vigen Galstyan explores the humble charm of Soviet Armenian mechanical clocks in this first instalment of a series of articles about Armenia’s not-too-distant past as a major producer of everyday consumer goods and a hot spot for industrial design in the USSR.