The Cinema Screen: A Political Battlefield
Mher Mkrtchyan has made a marked and oppositional political film, which, however, is too superficial and collapses under the incredible transparency of its agenda, writes film critic Sona Karapoghosyan.
Mher Mkrtchyan has made a marked and oppositional political film, which, however, is too superficial and collapses under the incredible transparency of its agenda, writes film critic Sona Karapoghosyan.
Although performance art has practically disappeared from the contemporary art scene as an autonomous medium, early practitioners had a profound impact in changing perceptions of the body in Armenia’s post-independence culture.
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