A Room of a Photographer’s Own
Five women photographers confront a conservative cultural ethos by turning the camera upon themselves and thus becoming objects of scrutiny and interpretation.
Five women photographers confront a conservative cultural ethos by turning the camera upon themselves and thus becoming objects of scrutiny and interpretation.
Nora, a 94 year old refugee from Baku, Azerbaijan no longer wants to show her face to the world. Her forced exile following the pogroms against the Armenians 29 years ago has left her paranoid and yet as strange as it may sound, somehow hopeful.
A family dispute left Emma Sahakyan homeless. After failing to find justice, she has staged a protest in front of the President’s office on Baghramyan Avenue for the past seven years.
In the second part of photographer Davit Nersisyan's larger body of work about the visually impaired in Armenia, Nersisyan explores the most intimate physical spaces of the visually impaired - their own rooms - by asking the person who inhabits the space but does not see it to map it.
Photojournalist Eric Grigorian's series of portraits from Republic Square where thousands gathered in protest as Yerevan enters the seventh day of mass rallies, protests and innumerable acts of civil disobedience.
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