In commemoration of renowned Armenian poet Yeghishe Charents, Maria Gunko delves into his colorful universe to see how it captures the essence of Armenia's landscapes and geography, drawing parallels with her perceptions.
Michael Goorjian’s feature film “Amerikatsi” succeeded in infusing a sentimental and “positivist” tone inherent to Hollywood cinema within an Armenian reality, writes film critic Sona Karapoghosyan.
A sharp departure from the confinements of Soviet era filmmakers where any production had to be commissioned by the state and would remain under strict supervision, a 2003 law on mass media, forbids censorship in the Republic of Armenia. But in post-Soviet Armenia censorship has time and again found ways of meddling with cinema.
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