Ձայնագիր. Կաֆկան Արցախում
Ստեփանակերտի օդանավակայանի մասին ֆիլմին անդրադարձող հոդվածի ՁայնաԳիրը: Ընթերցում է հեղինակը։
Ստեփանակերտի օդանավակայանի մասին ֆիլմին անդրադարձող հոդվածի ՁայնաԳիրը: Ընթերցում է հեղինակը։
The inclusion of two conflicting Armenian artists from different eras on a prestigious platform of global contemporary art reveals the need to fundamentally reconsider and rethink the Armenian artistic heritage of the recent past.
During March 2022, the Word—not only allegorically, but in the most literal sense—finds itself outstretched like the Vitruvian man strung from the corners of our Armenian-Russian-Ukrainian semiotic triangle.
Known as the mother of modern sculpture, Lilit Teryan left an indelible mark on Iran’s art scene. Although teaching sculpture was banned following the 1979 revolution, Teryan continued creating and eventually returned to instruct a new generation of Iranian artists.
The first Armenian-owned photo studios in Constantinople and Tbilisi at the end of the 1850s not only immortalized people’s lives, they were an effective shortcut to modernity and a powerful symbol of cultural emancipation.
Mher Mkrtchyan has made a marked and oppositional political film, which, however, is too superficial and collapses under the incredible transparency of its agenda, writes film critic Sona Karapoghosyan.
There is a Facebook group of Meghri natives that is more active than the official pages of many institutions. It is, however, also isolated, living a separate life, disconnected from the rest of the digital world just like the actual city.
How a black evening handbag found among countless items in Yerevan’s largest flea market revealed a paradigmatic shift from the egalitarian criteria of Soviet ideology, which accorded functional objects with purely practical properties.
Electronic dance music, as a relatively new cultural phenomenon, could have been occupied by women, but even here, the presence of men is predominant and women have to fight for fair representation.
Director Nora Martirosyan’s film “Should the Wind Drop” reveals the frustrating situation surrounding the airport as a starting point to delve into the history, problems and spirit of Artsakh.
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
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