Ancient Water Traditions in a Modern Land
Water-related rituals and artefacts dating back centuries illustrate the significance of water in Armenian culture, from dragon-stones to cross-stones to contemporary water fountains.
Water-related rituals and artefacts dating back centuries illustrate the significance of water in Armenian culture, from dragon-stones to cross-stones to contemporary water fountains.
How people behave in public spaces compared to private ones and how they perceive their individual civic responsibility is a reflection of the society in which they live.
Artists have been facing a real problem in Armenia: not getting fairly compensated for the music they release. In an age when sales of physical disk copies have drastically declined, with concerts and tours put on hold because of a pandemic, how are musicians supposed to get by?
When emphasizing the preservation of historic structures and their integration into unban life, we should keep in mind that heritage should not be perceived as only architectural heritage and we should not think that it is only the physical heritage that is endangered.
When a State of Emergency was declared on March 16 in Armenia, cultural institutions mobilized their resources and opened their treasuries digitally showcasing the gems of Armenian culture.
Yerevan’s iconic Youth Palace was demolished in 2006. While it still remains unclear who and what will fill the void the Youth Palace left behind, its spirit continues to live in the memories of those whose youth was interwoven with its existence.
Mariam and Eranuhi Aslamazyan are two of the most well-known female painters of Soviet Armenia. They broke stereotypes in the art world and left behind a rich legacy and heritage.
Toxic masculinity is not only an attack on femininity, it is also an attack on manliness, on the cultural precepts of Armenian society and it is an assault of ontological proportions, writes Nerses Kopalyan.
The 21st century has witnessed the rapid encroachment by capitalism on what is referred to as the “commons,” writes Sjur Papazian. He argues that surplus from mining in Armenia could be placed in a permanent fund for the benefit of all.
A writer, resistance fighter, political prisoner and so much more. The life of Ellen Buzand (Yeghisabet Stamboltsian) is the stuff of legends. Her diaries and memoirs remain unpublished in the archives of the Yeghishe Charents Museum of Literature and Art.
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
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