Two Documentaries, One Velvet Revolution
Christopher Atamian reviews two documentaries by two diasporan filmmakers about Armenia’s Velvet Revolution and writes that both deliver a somewhat hagiographic portrayal of Pashinyan and his supporters.
Christopher Atamian reviews two documentaries by two diasporan filmmakers about Armenia’s Velvet Revolution and writes that both deliver a somewhat hagiographic portrayal of Pashinyan and his supporters.
When a State of Emergency was declared in Armenia because of the COVID-19 pandemic, many people lost their jobs. Many of them were unregistered workers and today have found themselves more vulnerable than ever.
Labeling people we disagree with can have profound effects, it can also shut down any kind of intellectual debate, leading to greater polarization.
More than 40 elderly residents of the Nork Old Age Home and several staff members have tested positive for COVID-19; restrictions on the operation of retail outlets (including malls), restaurants and cafes, gyms, kindergartens, preschools and other spheres lifted; more medical supplies and equipment arrive in Armenia.
Armenia is struggling to find the appropriate balance between health and safety on the one hand, and the threat of severe economic disruption on the other. Raffi Kassarjian looks at the data to understand what is driving the increasing number of cases.
Armenia’s government extends State of Emergency until June 13; a number of restrictions will be lifted including restarting public transportation and reopening of kindergartens; a special session of parliament convenes to hear Deputy Prime Minister Tigran Avinyan, the Warden of the Special Commission, present the Government’s proposal.
Armenia sets another record with 180 new confirmed cases of COVID-19; Prime Minister Nikol Pashinyan in a Facebook live intimated that the State of Emergency will most likely be extended and more.
The translation of prose or poetry is not a news headline or a tweet, it is a piece of literature that demands time, contrasting thoughts, artful concentration and the ability to publish, writes Aram Pachyan.
Mariam and Eranuhi Aslamazyan are two of the most well-known female painters of Soviet Armenia. They broke stereotypes in the art world and left behind a rich legacy and heritage.
The liberation of the strategic town of Shushi was a turning point in the Karabakh war, causing a dramatic shift in the military progress of Armenian forces and ultimately obstructing future Turkish-Armenian relations.
EVN Report’s mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
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