Christopher Atamian reviews two documentaries by two diasporan filmmakers about Armenia’s Velvet Revolution and writes that both deliver a somewhat hagiographic portrayal of Pashinyan and his supporters.
The translation of prose or poetry is not a news headline or a tweet, it is a piece of literature that demands time, contrasting thoughts, artful concentration and the ability to publish, writes Aram Pachyan.
Mariam and Eranuhi Aslamazyan are two of the most well-known female painters of Soviet Armenia. They broke stereotypes in the art world and left behind a rich legacy and heritage.
Armenia produces a lot of garbage. Innovative artists throughout the country are taking that waste and turning it into art.
The forced detachment of April 24, 2020, brought an essential degree of cerebral contemplation that allowed us to meditate upon our loss, but also see the many ways that we've managed to (and continue to) overcome it.
The late Samvel Karapetyan's work goes beyond Armenian heritage: It is a luminous testimony that highlights the violence of certain states to annihilate an indigenous culture with impunity.
How a young boy went from selling his hand-stitched leather goods out of a suitcase to building one of Italy’s most exclusive brands.
Curator and art historian Vigen Galstyan pays tribute to one of Armenia’s most accomplished artists, photographer Herman Avakian, who passed away suddenly on Sunday. With his uncompromising devotion to the truth and artistry, Avakian helped shape the fabric of Armenian society.
Christopher Atamian reviews “The Structure is Rotten, Comrade,” a new graphic novel by Viken Berberian and Yann Kebbi.
The resort town of Dilijan in Armenia is known for its lush mountainous landscapes. It is also home to the Composers’ Union Resort, a place that hosted world famous composers in the 1960s and became a cultural hub in the former Soviet Union.