A recent exhibition “The Guises of the Nude: Perceptions of Nudity in Armenian Graphic Arts” provided a powerful opportunity to challenge prevailing meta-narratives and foster a self-reflective dialogue that can contribute to the broader project of decolonization and social transformation.
Major film festivals don’t only showcase films for local and international cinephiles, they also create opportunities for unknown stories, names and voices to be heard. Sona Karapoghosyan writes about how the Cannes Film Festival is trying to tell the stories of everyone, not only ones from the West.
A review of an exhibition in the village of Verishen in Armenia’s Syunik region featuring a contemporary carpet collection by Goris-born artist Davit Kochunts, examines the concept of social space and the process of territorialization.
The Armenian translation of Cervantes’“Don Quixote” has not yet reached readers, despite being a masterpiece of world literature. Aram Pachyan delves into the reason behind this.
Crowns worn by monarchs reveal stories of hierarchy and power, providing insight not only to those who wore them, but the strata to which they belonged. Margarita Ghazaryan looks at the story of the royal crowns of the Armenian Kingdom of Cilicia.
Art can be an effective tool of conflict transformation impacting societal attitudes and perceptions by producing a cathartic effect on both artists and audiences, writes Anna Kamay.
The directors of the documentary “5 Dreamers and a Horse” manage to think outside of genre limitations, and to blend the elements of magical realism and cinéma vérité to create a strange fairy tale that resembles the one in which we all live.
Nune Hakhverdyan reviews the Armenian production of “The Miracle Worker” staged by the Gyumri Drama Theater and Yerevan’s Hamazkayin Theater about the life of Helen Keller, and examines the relationship between parent and child.
In Armenia, there are few exhibitions outside of the traditional art space environment, but at the same time, one can notice distinctive new trends emerging in recent years.
Michael Goorjian’s feature film “Amerikatsi” succeeded in infusing a sentimental and “positivist” tone inherent to Hollywood cinema within an Armenian reality, writes film critic Sona Karapoghosyan.
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